The Effects of Pressure on Students to get Good Grades free essay sample

Living in a society like the one we are living today, can be very challenging for students. As the world gets more competitive, students are getting more pressured to achieve their goals in life. Pressure have become one of the known factors to affect a student’s life. Anyone who passed through this stage has felt the same way. Getting good grades has become one of the goals students today are aspiring for. It has been perceived that a good mark from school can place someone to a decent job and make that person stand out from others especially when it comes to interviews and conversations. With such belief, students neglect on the negative effects of the pressure they are encountering because they want to maintain high grades. There are few effects of pressure on students to get good grades such as, extreme stress, cheating during exam, and changing of the attitude. We will write a custom essay sample on The Effects of Pressure on Students to get Good Grades or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Main point 1: Extreme stress All the stress experienced by a student from either parent or peer is considered one of the effects of pressure handed to them because of their want to have good grades. Normally, parents apply pressure upon the student in order to keep up in school and not allow the student to fall behind. However, a problem arises when the parent apply excessive pressure on the student. The effect of such pressure can lead to negative health of students. Students tend to have lack of sleep – without having enough of sleep will cause the students’ body to become sick. Main point 2: Cheating during exam Students tend to cheat during exam when they become mentally and physically exhausted. We have been aware of plagiarism being the cause of many violations done by students. (Ex: can either be for their research paper, thesis paper, or just a simple hw) There are also incidents of cheating in examinations through copying other’s answers and putting them on the test paper, recognizing them as one’s own. These sinful acts are the effects of the belief that good grades can send you off to better jobs and a more secured future. Main point 3: Changing of the attitude This particular outcome is definitely disturbing because values and morals become affected. According to an interview conducted by Palmer (2005) to Ms. Denise Clark Pope, students as she said, â€Å"know that cheating is wrong; they tell me they wish they did not do it†. As the statement goes, honesty, respect, and integrity have all been violated for the sake of possessing a good grade. Conclusion In a nutshell, dealing with all the effects of pressure on maintaining an excellent grade comes with a price. It results in extreme stress, cheating and the worst of all, changing of the attitude. All these made a clear understanding of what learning really is about. It is not a matter of only getting a good grade but rather learning with understanding and receiving the grades that one truly deserves. As for this, students must realize that education is in fact teaching people not only academically, but morally.

The Best Sex and the City Quotes

The Best Sex and the City Quotes The beloved HBO series Sex and the City (which ran from 1998 to 2004) changed societys view single women everywhere were perceived and showed there was no shame and a lot of empowerment in not having a man. It also delivered a boatload of great one-liners and sassy quotes from each of the shows star characters: Carrie, Miranda, Samantha, and Charlotte. Check out some of the funniest lines uttered by each of the ladies throughout the shows run. The Funniest, Cleverest, and Sassiest Sex and the City Quotes Charlotte: I am so confused. Is he gay or is he straight?Carrie: Well, its not that simple anymore. The real question is, is he a straight gay man or is he a gay straight man?Carrie voiceover: The gay straight man was a new strain of heterosexual male spawned in Manhattan as the result of overexposure to fashion, exotic cuisine, musical theatre and antique furniture.Vaughn: Hey, GQ called.Carrie: Really? They want you to write something?Vaughn: No, they want me to wear something. Its great to be a writer these days. Theres so little writing involved.Carrie: Just dont be photographed in anything sleeveless. No one who went sleeveless ever won a Pulitzer.Carrie: There is no way that the love that I had with Big is the same thing that he has with Natasha.Miranda: Natasha? When did you stop calling her the idiot stick figure with no soul? Samantha: From my experience, honey, if he seems too good to be true he probably is.Miranda, to Carrie, whos listening to an answering machine message from Big: We could analyze this for years and never know, I mean, they still dont know who killed Kennedy.Carrie: Charlotte was thrilled. Anthony was like the pushy Italian mother she never had. Carrie is having trouble driving a stick-shift car.Miranda: Why didnt you just get an automatic?Carrie: I love this car! It goes with my outfit.Carrie: So are you saying theres no way youd go out with a guy who lived with his family?Samantha: Well... maybe Prince William.Carrie: You just caught us a little off guard with the lesbian thing.Samantha: Thats just a label, like Gucci or Versace.Carrie: Or Birkenstock.Samantha on the Hermes Birkin bag: Oh honey, its not so much the style, its what carrying it means!Carrie: It means youre out four thousand bucks.Charlotte: I cant believe you took Ecstasy from a stranger!Samantha: Its not a stranger, it was a friend of my friend Bobbys friend Bobby.Miranda: Oh, well then we know its safe. Will we be going to a rave later?Carrie: Ive spent $40,000 on shoes and I have no place to live? I will literally be the old woman who lived in her shoes!Carrie: So youre a pessimist, right?Miranda: Have we met? Stanford: Before I tell you, you have to promise not to judge.Carrie: Do I judge?Stanford: We all judge. Thats our hobby. Some people do arts and crafts; we judge.Samantha: All of Manhattan is here.Stanford: Whos watching the island?Carrie: I tried the trapeze yesterday for that piece that Im writing.Charlotte: I could never! I have the most terrible fear of heights.Carrie: Well, I do not. Youve seen my shoes.Carrie, after being told to take off her shoes: But... this is an outfit!Charlotte: Did I ever tell you I was a cheerleader?Miranda: No, because you knew I would mock you endlessly.Charlotte: Big is in town?Carrie: Yeah, hes here for a little heart thing.Miranda: What, is he on the list to get one?Big: So I guess this is what wed be like in our 70s. No sex and board games.Carrie: Aww, youre already thinking about your next birthday?Samantha asks Carrie if the guy she just met (still within earshot) is straight or gaySamantha: Martini straight up or with a twist?Samantha: Besides , theres no such thing as bad publicity. Carrie: Yeah, you would say that youre a publicist.Miranda: gets hit in the head with Nerf ball I just realized... maybe its maturity or the wisdom that comes with age, but the witch in Hansel and Gretel shes very misunderstood. I mean, the woman builds her dream house and these brats come along and start eating it.Miranda: I spoke to a woman with a masters in finance all she wanted to talk about was her Diaper Genie.Carrie brought Miranda along for a double non-dateMiranda: looks at watch I have to go feed my cat.Carrie: voiceover Miranda had invoked our code phrase, honed over years of bad parties, awful dates and phone calls that wouldnt end. Unfortunately, I wasnt ready to accept defeat. out loud I thought you already fed your cat.Miranda: I have to feed it again.Manhattan Guy: Cat people all freaks.Carrie: When did being alone become the modern-day equivalent of being a leper? Will Manhattan restaurants soon be divided up into sections smoking / non-smoking, single / non-sin gle? Charlotte: How can you forget a guy youve slept with?Carrie: Toto, I dont think were in single-digits anymore. ​Trey: Youre learning Chinese?Charlotte: Well, just in case, I want to be able to speak to the baby.

How to Be Your Own Best Editor While Remaining a Writer - Freewrite Store

How to Be Your Own Best Editor While Remaining a Writer - Freewrite Store You’re not a writer! Well, at least for a time. You’re an editor. Today’s guest post is by Marsh Cassady. Marsh has Ph.D in theatre and is a former actor, director, and university professor. He is the author of fifty-seven published books and hundreds of shorter pieces. His plays have been performed in Canada, Mexico and the U.S., including Off-Broadway. You’re not a writer! Well, at least for a time. You’re an editor. For about eight years I was co-publisher of a small press and learned quickly what to look for in query letters, proposals, and in fiction and nonfiction. Yet I thought of myself mainly as a writer. The weird thing was that when I wore my writer’s cap, I didn’t think like an editor anymore, and I found I was just as puzzled as any other writer about what would be acceptable to a publisher. Then one day, it was like the proverbial lightbulb exploded inside my head. Hey, dummy, I told myself, you’ve been an editor for a long time and, in fact, still are. So look at your own work through an editor’s eyes. Seems pretty absurd that it took me so long to realize this and to approach my own writing as if it were a submission to the press or to the literary journal of which I was fiction editor. It’s a matter of roles, a matter of putting on a different cap. Of course, you’re still the same person- at least to a degree. Look at it this way. At work you may be an attorney and at home a mom, two vastly different roles. The same is true with writing and editing, each important but very much different from each other. In your role as an attorney you wouldn’t ground a client for staying out beyond curfew, nor would you threaten to take legal action against your three-year-old. So now is the time to hang up the writer’s cap and assume the role of editor. What being an editor boils down to is being objective. View your own writing as it were done by someone else. Is this person you’re judging a good writer? What makes her or him good? What don’t you like about the style, the organization, the content? One thing that helps is to put away your writing for a few days or a week. When you take it out again, you have some distance between you and your work. You aren’t as emotionally involved with it now, so it’s easier to approach it objectively. The more you can distance yourself from the work, the better. I knew a successful poet once who didn’t believe in revising her work. Whatever she wrote stayed the way she’d first written it. There also used to be a columnist for the San Diego Union Tribune who did the same. But most of us don’t work that way. Most of us have to revise our work at least two or three times- sometimes much more often until it meets our goals. In fact, in one of my books on writing I include an excerpt from my nonfiction that is my eighth revision! And still I continued to revise it extensively with handwritten changes from the top of the page to the bottom. What are the sorts of things should you look for in editing your writing? Is the work interesting? Is the piece something you yourself would like to read? If not, why not? Is it that you don’t like the subject matter? Years ago in the writing workshop I used to lead a man came to the meeting one night and said he was writing a film script. He said he didn’t like the subject matter but thought it would be something that would sell. Nope! He was a good writer but not for this. He finally gave up because it was too much of a chore to continue. Of course, it’s possible to do a good job with a subject you hate, but why do it unless it’s part of your job and you have no choice? Did you make the writing too formal, too dry, too prosaic? It’s important to hook the reader’s attention right away. Did you do that? Assume you’re an editor at a publishing company or magazine. Would you want to read through the entire piece you wrote? When I was a book editor, I knew within a page or two- sometimes less- whether I wanted to publish the book or not. Would you want to publish what you wrote? Was your lead the most effective you can come up with? How does the rest of the piece hold up? If it’s nonfiction, have you included enough specifics- examples or illustrations or anecdotes to support what you say? Is the writing easy to follow? Does it flow well? Are there any bumps, any distractions? If so, what caused them? Maybe you need better transitions. Maybe you just need to explain things a little better- more interestingly, more succinctly. Or maybe you have some extraneous stuff that doesn’t support the central idea. Is the piece well-organized? There are many types of organization, from chronological to spatial to order of importance. Have you chosen a type of organization that fits well with the sort of piece you wrote? Have you considered the organization or just written haphazardly as the ideas come to mind? The latter rarely works for a finished piece- whether a personality profile piece, a column, or a how-to article. You need to follow a particular type of organization that is appropriate for what you’ve written? For instance, you probably wouldn’t choose spatial organization for a novel- though it is possible, with one section taking place in New York, the next in Los Angles, and the third in London. However, within each of these sections you’d probably want to use chronological order and maybe even start the first section earlier in time than the next and the next. And you probably wouldn’t use order of importance in discussing a historical event. Is the writing coherent? No matter what you’re writing, you need to be sure you’ve tied everything together. Each part, in some way, has to relate to the piece as a whole. In fiction this means everything has to be important to the plot and/or theme, either directly or indirectly. All elements need to support the central idea. And generally, the less important a character or a setting, the less space you should give them. However, I did also say â€Å"indirectly.† Don’t throw away a scene that points up the character, for instance or explains the reasons behind characters’ actions. In nonfiction everything also should relate to the central idea. If you’re writing about a candidate’s stance on an issue, you wouldn’t usually talk about his hobby of collecting ceramic mugs from around the world. Is the writing clear? Is the writing easy to follow, or would the reader have to struggle to understand what you mean? Do you use language appropriate to your readers? For instance, you’d use different language for explaining what quarks are to a junior high class than you would to an adult education class.   Is the dialogue natural and appropriate? Does the dialogue reveal character?   Does it help create the proper atmosphere? If the scene is one of tension, does the dialogue reflect this? Does it help the reader understand the sort of universe you’ve created? Does the dialogue advance the plot? All dialogue should have a purpose; each word should be important for one reason or another. Does your dialogue sound natural? Although dialogue resembles everyday speech, it is very much different but still has to appear natural. In conversation we change the subject often and abruptly. We ramble. We use a lot of extra words. Your characters can’t do that, unless it’s to point up a character trait, for instance. Dialogue also has to be appropriate for each character, each of whom speaks in his or her own way. A recent immigrant from Russia would speak much differently than would a surfer dude. A person with a Ph.D. in physics would speak differently than would a short order cook- at least in most cases. When writing dialogue, you need to consider everything important about the character- background, education, present circumstances, personality, and the emotional content of the scene. Is the dialogue easy to follow? Even if your character has an accent, don’t make the writing difficult to follow. Readers today probably wouldn’t be happy to read pieces like Joel Chandler Harris’ Uncle Remus stories with lines like: â€Å""One time," said Uncle Remus...way back yander, ’fo’ you wuz bomed, honey, en ’fo’ Mars John er Miss Sally wuz bomed-way back yander ’fo’ enny un us wuz bomed, de animils en de creeturs sorter ’lecshuneer roun’m ’mong deyselves, twel at las’ ’dey 'greed fer ter have ’sembly.† Does any of the writing sound awkward? I’m nearly finished reading a novel by one of my favorite authors, but I was disappointed to see that at several times in the book he used passive voice. So far as I remember, he never did this before. And it yanked me right out of the action. So avoid passive voice. It should be cut.   Oops. What I really mean is: You need to cut it out! You also need to consider if the words you’ve chosen are the best you can come up with, that the work doesn’t sound too stilted, that what you write matches the overall style. An academic piece, for instance, would use a more formal style than a travel article. Check for repetition. Recently, I edited a book for a friend. In one paragraph of four lines I found three instances of the word â€Å"painting.† He objected to my editing out two of them. He said I was ruining his style. Uh, uh, uh! Repeating words or phrases calls attention to itself and detracts from the writing. Of course, this doesn’t apply to so-called invisible words like â€Å"the,† â€Å"an,† â€Å"a,† â€Å"and†, etc. But any time you repeat words like mouse or quark or sweetheart in close proximity to the original, you are risking alienating the reader. An exception, of course, is when you deliberately repeat a word for emphasis. The same, of course, is true of phrases. Unless there’s a good reason, beware of repeating phrases within several paragraphs of each other. Don’t Overwrite. Is there anything extraneous?   If so, cut it.   This is especially true in the matter of research. It’s been said that research is like an iceberg- two-thirds should be hidden beneath the surface. In other words, you should inspire confidence in the reader that you know your subject thoroughly, that you know much more than is included in the article, that you are the expert. On the other hand, you shouldn’t expect the reader to suffer through absolutely everything you’ve learned. Proofreading To many writers this is the most tedious part of getting a manuscript ready for publication, and it’s more complicated by the fact that when proofing our own writing, we often â€Å"see† what we expect to see and not what’s actually there. Also, proofing cannot be rushed. You have to be meticulous in doing it. One trick that can work well is to read the manuscript backward. This does away with expectations of what you think is there because now the material- though it doesn’t make sense- is completely new, and typos and small errors stand out more. For instance: â€Å"more. out stand errors small and typos and new, completely is.† When you do this, it forces you to slow down. Read your writing aloud to yourself or to someone else. When you read the piece aloud, you’ll be surprised at how many typos and other â€Å"pickies† you catch. This is because you’re forced to slow down and concentrate on each word. Thus, the little things that elude you in a silent readthrough now become much more apparent. Finally, if you can, put the manuscript away one more time and then back to it again in a day or a week. Okay, now you’ve done your stint as an editor. Take off the editor’s cap, hang it up, and grab the writer’s cap from the rack. You are not an editor any longer- at least for now. Today you’re a writer. Good luck with the new piece.       Marsh Cassady has Ph.D in theatre and is a former actor, director, and university professor. He is the author of fifty-seven published books and hundreds of shorter pieces. His plays have been performed in Canada, Mexico and the U.S., including Off-Broadway. For about eight years he was co-publisher of a small press and a literary journal. He has also taught creative writing at the University of California, San Diego, and for thirty-five years led all-genre writing workshops.

A comparison between Biolegia PLC and Sleepeasy chain of hotels Essay

A comparison between Biolegia PLC and Sleepeasy chain of hotels - Essay Example This is referred to as organization structure (Schein, 2010). Each and every organization can be structured in its own way depending on how it aims to achieve its set out objectives (Alvenson, 2002). The purpose of the organizational structure is to ensure a standard of operation upon which the organization can rely on as its employees execute their duties (Keyton, 2002). The structure also dictates who is able to participate in what kind of decision making activity thus affecting the organization. This paper aims at looking at two different organizations and their structures. The paper will compare the structures of the two organizations in terms of their approach to team work, their structure and design and lastly the cultures in the organization. Objectives 1. To compare approaches to teamwork by structures of two different organizations 2. To compare organizational structures and designs of two different organizations 3. To compare cultures in two different organizations Comparis on of approaches to teamwork and team working Looking at the two case studies above, it can be revealed that there is a big difference in the way Biogenia Plc and Sleepeasy chain of hotels approaches the issue of teamwork among its employees. In the case of Biogenia, teamwork is encouraged among its employees right away from the time they are recruited into the company to the time they are released into the field to go and represent its interests in various countries. Biogenia employees people of different nationalities to work for them in a particular station as seen by 20 people of different nationalities working for the company and also the team that was sent to develop a pesticide in South Africa. On the other hand, Sleepeasy chain of hotels has been found not have encouraged the spirit of diversity, and in any given hotel, people of the same ethnic group are found to be working there in large numbers. Biogenia employs people who have expertise knowledge in different fields such as Biology, chemistry and Information technology then distribute them to work in different departments within the company. The benefits of this include the fact that employees are able to cope with each other on a personal basis, and hence their experience is brought together for the good of the organization (Frost, 1991). There are also other activities within the organization that serve to ensure that the spirit of teamwork is maintained e.g. going to a gym that has been subsidized by the company and sparing time to have fun when on company like the one in South Africa. The productivity of the company is also enhanced by people who are qualified to do a job that entails different tasks; the firm has been able to bring together different professionals to work for it hence creating a team that is powerful in execution of its duties. Sleepeasy has not keenly embraced the issue of diversity in its recruitment procedures thereby coming up with a team that works towards a common goal h as been difficult. The hotel employs people of the same ethnic group in every country that it operates in and hence streamlining employees with the organization’s goals has been a bit difficult. The company also lacks activities that can encourage a spirit of teamwork among its employees and has gone as far as not being able to recognize trade unions. The operation pattern within the organization encourages a spirit of individualism because each employee is treated as an individual, hence employees do not work as a team in achieving companies goals objectives. The company does not organize meetings of employees on a regular basis like Biogenia to monitor the progress that has been made by each

Business Idea-Franchising Essay Example | Topics and Well Written Essays - 750 words

Business Idea-Franchising - Essay Example Basis of Selection Dammam is suitable for travelling. The city is easily accessible through flights from various parts of the world. The city has its own port which is named as King Abdul Aziz Port. There are several attractive places in Dammam which are: The Heritage Village, Sports Center, King Fadhd Park, Half Moon Beach and Alkhleej Makarim. There are many museums such as The Media External Museum, The Regional Al Dammam Museum, The Saudi Museum and Abdullah Al Asmare Museum. Due to this reason, many tourists are attracted towards this city and opening a clothing store will be beneficial in the city to attract these tourists as well as local people. Market Scenario at Saudi Arabia Saudi Arabia has shown positive market growth. Their GDP has been registered as 3.9% in the year 2011 compared to 3% in 2010. Saudi Arabia’s non oil sector plays an important role for the good market condition. The government of Saudi Arabia has planned to spend 155 billion Dollars in the year 20 11 for education and infrastructure purposes. Saudi Arabia is one of the preferred destinations for making investment in Middle East and North Africa. Political stability, great possibility for growth in infrastructure sector, oil reserves and production capability are the major factors of good market condition. Investors will be attracted by government’s impressive policy, over the next five years, which aim to invest 1.3 trillion USD in the non oil sector. It will attract both local as well as foreign investors, who are interested in tapping into country’s market growth (Report Buyer, â€Å"Saudi Arabia Business Forecast Report†). Market Scenario at Dammam Dammam became a part of Kingdom of Saudi Arabia in the year 1932. Dammam remained a remote place until Standard Oil Company of California moved in the city in the year 1935 for searching oil around Dammam area. Dammam’s economy has expanded and created numerous job opportunities as its oil industry ha s been accompanied by massive boom in construction. By the growth of oil-sector, Dammam’s transportation has also improved. The city is served by King Abdul Aziz Port which handles non-oil cargos for eastern and central provinces of the country. The retail market condition at Dammam had developed in the year 2007–2008 and the retail supply had increased by 60%. Dammam represents the third largest market share in retail sector in Saudi Arabia and accounts for 20% (Colliers International, â€Å"Mena Retail Overview†). SWOT Analysis Strengths Since Dammam attract many tourists and as there is only two mega stores in the area, this will create a great opportunity to open clothing store in Dammam. Many of the residents and tourists shop in neighboring Bahrain because of limited number of clothing stores in Dammam. Thus, opening of new clothing store can retain the tourists. China excels in production and export of clothing in the world. China’s clothing indust ry mainly focuses on information, brand and fashion. The price of cotton in Chinese market is also low. Export tax of China on textile clothing is between 0.2% and 0.3% per piece and export taxes are determined by quantities. Therefore, it will be beneficial to import large amount of clothes from China because it can provide good fashionable clothes

The Adventures of Huckleberry Finn Essay Example for Free

The Adventures of Huckleberry Finn Essay The Adventures of Huckleberry Finn is absolutely relating a message to readers about the ills of slavery but this is a complex matter. On one hand, the only truly good and reliable character who is free of the hypocritical nature that other whit characters are plagued with is Jim who, according to the institution of slavery, is subhuman. Thus, one has to wonder about the presence of satire in Huck Finn. Furthermore, Mark Twain wrote Huck Finn after slavery was made illegal and his choice to set this story in a pre-civil war time when slaves were still held is significant. What truly makes the thesis statement about race and slavery in Huck Finn complex is is that there are several traces of some degree of racism in the novel, including the use of the ‘N’ word. By using the word, the book portrays the atmosphere of the south and slavery at that time. David Bradley, a Mark Twain expert featured in â€Å"Born to Trouble: The Adventures of Huckleberry Finn†, says that, â€Å"The ‘N’ was a word used during that time to call black people. It was a common word† (Born to Trouble). Apart from this, when Aunt Sally hears about an explosion and she asks Huck if anybody was hurt, he responds by saying â€Å"No’m,† â€Å"Killed a slave†(Peter Salwen). These few lines of dialogue say all there is to say about how blacks were viewed at that time; that they are â€Å"nobody†, less than human, with lives that are of little or no value to anyone. The racist attitudes of the south are most evident in the character of Huck Salas 2 Finn himself and how he relates to the runaway slave, Jim. Huck is nothing but a product of his environment and upbringing. Although he reflects the cruelty and injustice of the south towards blacks, he is totally unaware that this is the wrong attitude to take (Fiskin). At first when Huck is unsure how to deal with Jim, he displays attitudes that are a reflection of his times. He plays tricks on Jim and entraps him in a dialogue that makes the latter appear especially foolish, or perhaps, to make Jim painfully aware of his own inferiority. The trick the weighed most heavily on both Huck and Jim is when, after having disappeared from the raft, Huck pretends to have been there all along. The worried Jim insists that he believed Huck had almost drowned, but Huck plays Jim for a fool, tricking him into believing that he had only been dreaming (Twain 186). Jim, in turn, is made to appear as the Negro stereotype of the times: a backward buffoon with his slave dialect and many superstitions (Gregory). It is only much later on that he takes on a more human face as we discover his admirable character, particularly his fierce loyalty to his friend Huck (Born to Trouble). Huck also reflects the white South’s belief that blacks were vastly inferior. In the conversation about King Solomon and the Frenchmen in Chapter 14, Huck ends the conversation by saying to himself: â€Å"I see it warn’t any use wasting words – you can’t learn a n†¦Ã¢â‚¬ ¦ to argue. So I quit† (Twain 104). Seemingly frustrated with the turn of the conversation, Huck ends up being dismissive of the black man’s intellectual capacity, his ability to learn, see reason or think rationally. Again, this points to the white South’s inherent belief that the black man is inferior. Salas 3 Early on this relationship, Huck is also prone to saying things that further show how deeply racist attitudes have been ingrained in him. After the trick he plays on Jim, he is reluctant to apologize to someone society dictates is far beneath him: â€Å"it was fifteen minutes before I could work myself to go and humble myself to a slave† (Twain 107). Jim must also accept the fact that as a black, he is inferior to whites in these times. Friendship doesn’t negate this rule of society; even his good friend Huck is far superior to him. Even as far into the book as Chapter 31, Huck still holds himself accountable to the strict racist rules of his community, where empowering a black man is a â€Å"low-down thing†(Twain 219). However in this course of the tale, Huck’s attitude toward his black companion begins to shift. This is a struggle for him at first, and a reader can get a definite sense of Huck grappling with how society has always forced him to think. For example, although he shows reluctance in apologizing to Jim for his trick, he really does feel like the trash Jim likens him to (Twain 107). Not only does he get over his reluctance and apologizes to Jim, but makes a firm pledge to himself not to â€Å"do him no more mean tricks; and I wouldn’t done that one if I’d knowed it would make him feel that way† (Twain 107). Another instance is when Huck encounters a group of white men looking for runaway slaves. He struggles momentarily about the morality of hiding Jim, still thinking of the latter as a stolen piece of property and not a person. Huck then swings the other way and conceals Jim from the men with a clever ruse (Twain 117). In the end after a long and hard struggle, both Huck and Jim achieve a certain degree of freedom. Not just freedom form â€Å"sivilization† for Huck Salas 4 and slavery for Jim, but freedom from the rigid mindset of the racist South. Huck learns to look at Jim not merely as a Negro, a piece of property or someone inferior and worthless, but as a human being and as a friend.

Racism: The Artificial Category of Race Essay examples -- Sociology Ra

Racism: The Artificial Category of Race THESIS: Scientists and other intellectuals recognize the modern concept of "race" as an artificial category that developed over the past five centuries due to encounters with non-European people. Even though people still attempt to organize humans into categories according to their race, these categories have been shown to have no scientific basis. The term "race" is a modern concept. It's definition has adopted radically new meaning over the past few centuries. Currently, the term is used to characterize differences among human groups. According to the Oxford English Dictionary the term "race" in 1512 is "a group or class of persons, animals, or things, having some common feature or features." Today, Oxford's definition is quite different: "a local geographic or global human population distinguished by genetically transmitted characteristics and/or any of the major biological definitions of man distinguished by physically evident features, for example, Caucasian, Negroid, and Mongoloid." This definition is a result of regular interaction with non-European people. The Europeans began to explore other lands, thus creating the idea that some people are different than them and should not be under the same category as them. The constant interaction with groups of people who’s lifestyles were very different led Europeans to believe that they were a different "kind" of people. Scientists worked on and created many different ways to classify the different people they found. This unrefined method of categorization was the origin of a new culture-oriented taxonomic system for human beings. The system is based on the "Great Chain of Being," which is a way of classifying things according to... ...ces of Man. New York: The Macmillian Company and Their Distribution, 1925. Holli, Melvin G. "Race, Ethnicity and Urbanization: Selected Essays." Journal of American Ethnic History 16 (1996): 110-125. Myers, Norma. Reconstructing the Black Past: Blacks in Britain 1780-1830. Portland: Frank Cass Press, 1996. Philip, David. Race and Ethnicity. Lansdowne: Citadel Press, 1980. "Race." Oxford English Dictionary. First ed. 1928. "Race." Webster's New World Dictionary. Third ed. 1988. Smedley, Audrey. Race in North America: Origin and Evolution of a Worldview. Boulder: Westview Press, 1999. Takaki, Ronald. A Different Mirror: A History of Multicultural America. Boston: Little, Brown and Company, 1989. Tobias, Phillip. "The Meaning of Race." Race and Social Difference. Baxtor, Paul, Basil Sansom ed. Harmondsworth: Penguin Books Ltd., 1972. 19-43.